Crypt Concert No. 4
A pure and intimate chamber-music experience, combining the crypt’s unique acoustics with inspired historically informed performances, just a few steps away from the audience.
Crypt Concert No. 3
Within the ancient stone chamber, where every sound takes on its own resonance and breath, an intimate and immediate encounter unfolds between the voice, the strings and the audience. A concert of beauty, emotion and intimacy — from the passion of Spain to the gentle melancholy of South America.
Crypt Concert No. 1
This is a sensual and imaginative musical celebration, reminding us why the voice is the most primal and moving instrument of all.
Crypt Concert No. 2
This is a quiet musical prayer — a concert of intimate listening, shaped by breath, resonance, ancient stone and pure female voices.
Church Concert No. 9
Yaniv d’Or, one of the most distinctive and prominent voices in the world of countertenors, joins Ensemble Mezzo, soprano Ya’ala Avital and the singers of the Jerusalem Vocal Consort for a moving musical journey.
Church Concert No. 8
Performed by the Collegium Tel Aviv Vocal Ensemble, the Barrocada Orchestra and soloists, under the direction of conductor Yishai Steckler, the work will come vividly to life in the unique acoustics of Kiryat Ye’arim Church.
Church Concert No. 7
The concert will feature traditional hymns and processional songs, mysterious lullabies and ceremonial songs dedicated to Saint John, revealing a musical world rich in colour, rhythm and spirit.
Church Concert No. 6
This concert brings together styles, eras and sounds to create a rich, surprising and colourful experience.
Church Concert No. 5
A delicate and profound encounter with one of the pinnacles of 17th-century sacred music.
Church Concert no.4
This encounter between father and son reveals not only a family connection, but also a fascinating stylistic transition between two musical eras — from the polyphonic complexity and architectural balance of the Baroque to a more personal, liberated and expressive musical world.